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ISEA 2000 International Society of Electronic Arts
7 December - 11 December, Forum des Images, Forum des Halles de Paris, Paris, France

trip report by Jason Lewis

 
Presenation

The ActiveText Project: From Dynamic Poetry to Interactive Performance
Overview of the 5 year history of the ActiveText project.

Institutional Talk: Art + Research + Venture Capital = ?
Description of motivation and activity behind the Lab.

Go See Now!

Shareable Media Group @ MIT Visual Interfaces for Shareable Media
Thinking about how your user population might be able to interact with each other around your media? The Shareable Media Group has some provocative solutions. Digital video/rich media folks should take a close look at I- and M-View and Individeo (tools for collective storyboarding and editing.)

MECAD Media Center for Art and Design
Looking for new art/design/technology talent? Keep an eye on this brand 2-years young new media center inside a graduate school for the arts just outside of Barcelona.

Virtools Behaviour-Based Interactivity for 3-D
Adding behaviours to 3-D environments is not new; creating a tractable authorting environment and optimizing for the web, however, is still fairly fresh. SGI's Cosmo division tried to make it happen with VRML and failed. Will Virtools succeed? For all of those looking for ways to draw eyeballs to your site, you might want to check them out. I'm getting a beta version of their authoring environment into the lab soon and I'll let you know what it's like.
Summary

Two steps into the room for my talk on the ActiveText project and my shoes were soaked. Seems that the room had leaked the night before, forming a huge puddle underneath where the speaker and all of the electronica equipment sat. The VCR I had requested was nowhere to be seen, and the rooms alternatte identity as a lightwell made it impossible to see the projection created by the itsy bitsy portable projector they had. We had already begun to suspect, but now it was confirmed - this conference sucked. No way to get around it. Proof that bad organization is worse than no organization. Rooms which were the site of talks about the Web didn't have Internet access. The program was organized by room, so finding who you wanted to hear speak when they were speaking became a group operation involving diagrams on napkins. Parts of the conference - it seemed like most of the good parts - were scattered all around the city. And the main location was in the middle of a shopping mall! I thought we were in Paris, not Edmonton!

I have nothing to say about the conference itself, other than what's above in the Go See Now! section. The catalogue looked very promising, but I don't know, maybe it was the luck of my draw, but very little of the other presentations were interesting. ISEA is known as a gathering place for a wide range of folks working along the art + technology frontier, and it was worthwhile to renew contacts with some of this tribe (Sher Doruff from Keystroke, Frank Boyd, formerly of Artec and the MultiMedia Labs, Lizbeth Goodman from the Performance Research Unit at the University of Surrey, etc.)

The only other bright spot was Paris itself. We caught an exhibition, Au du la Spectacle, at the Pompidou which was a joyous ride through several decades of pop-art. And an entire afternoon spent at the Picasso Museum gave me a new appreciation for the number of different phases he went through. Next time, I'll just go for the museums and forget the conference.